- Spotmatic RM - Service Manual; Pentax Series. 67 - Operating Manual; 67 II - Operating Manual; 645 - Operating Manual; 645D - Operating Manual; 645D - Menu Reference; 645N - Operating Manual; 645N II - Operating Manual; 645Z - Operating Manual; 645Z - Menu Reference; Pentax A Series. A3000 - Owner's Guide; Pentax Auto Series.
- Pentax 67 Ii Manual This is likewise one of the factors by obtaining the soft documents of this pentax 67 ii manual by online. You might not require more epoch to spend to go to the books introduction as capably as search for them.
- The Pentax 6x7 (known as Pentax 67 after 1990) is a SLR medium format system film camera for 120 and 220 film, which produces images on the film that are nominally 6 cm by 7 cm in size (56mm by 70mm in the film gate), made by Pentax. It originally debuted in.
- Pentax 67 Manual. Could anyone help me out with a Pentax 67 manual? Inkmoth 5 months ago 1 replies. Anyone selling a 105mm f2.4 SMC lens late model.
View and Download Pentax 67 operating manual online. 67 Film Camera pdf manual download.
Overview and Personal Comments
The Pentax 6x7 is the Arnold Schwazenegger of cameras -- everything else is a 'girlie-man' compared to this behemoth. When you pick it up, it feels like it is made of solid metal. It's impossible to tell from photographs the sheer scale of this camera. Let me just say this - with the standard 105mm f/2.4 lens and prism, it weighs 1760 grams. That's twice the weight of a Leica M7 with 50mm f/1.4. (A fully loaded Nikon F5 with 50mm f/1.4 comes close at 1580 grams.) If the Pentax 67 isn't man enough for you, the Mamiya RB67 at 2690 grams or the Fuji 680 is your next best choice. Pentax 6x7 cameras are now widely available on the used market for about $600 with standard lens, which makes them the easiest entry to medium format quality. Using the text or images on this website without permission on an ebay auction or any other site is a violation of federal law.
My Pentax 67 Lens Collection 55mm f/4 SMC 90mm f/2.8 SMC LS 135mm f/4 SMC Macro-Takumar 200mm f/4 SMC Takumar* * Currently loaned out |
The Pentax 6x7 was first released in 1969 and underwent some minor modifications while in production, namely the addition of a mirror-lock-up (MU), which is a useful addition for tripod photography that will improve image quality. In online ads, you'll see this described as 'Pentax 6x7 with MU.' Mirror-Lock-Up is also abbreviated MLU. Older cameras often went back to Pentax to have the MU feature added, so serial numbers aren't an accurate way to gauge whether or not it has this feature. Recently, parts for pre-MU cameras are becoming scarce and Pentax will not repair them, so it behooves you to buy a camera with mirror-lockup if you can.
In 1989, the Pentax 6x7 underwent some other upgrades, most significantly the shutter timing was changed from being partly mechanically to being fully electromechanically controlled. This helped improve exposure accuracy (unfortunately it also meant that the bulb-mode required batteries, which disappointed many astrophotographers; you can get Pentax to modify your camera to not require batteries in bulb). Some components of the all-metax 6x7 were replaced with polycarbonate to lighten it. The upgraded model was renamed the Pentax 67.
In 1998, the camera was completely redesigned and computerized. The most significant change was the inclusion of auto-exposure and matrix metering through the new AE Pentaprism. The right hand grip was changed to make it easier to handhold, and it used CR123A lithium batteries for better cold-weather performance. Pentax named it the Pentax 67ii. They also added a non-battery-reliant power-saving time mode (bulb), mostly for the many astrophotographers who use this camera. Regardless of the many internal changes, it's essentially the same camera DNA, unchanged for over 35 years.
Pentax 6x7 cameras have been particularly popular with astrophotographers because of the large film size, absolutely flat film plane, and easy mounting to telescopes.
The Pentax 67 is one of the best landscape medium format cameras available. Pentax has a very wide range of 67 interchangeable lenses for it ranging from 45mm super-wides to 1000mm* super-teles. No other medium-format camera system boasts as wide a range.
All of the recent lenses feature Pentax's proprietary 'smc' (super-multicoating) lens coating, which is easily one of the best in the industry, if not the best. All 67 lenses can be used with all Pentax 6x7 and 67 cameras, regardless of vintage. What's more, you can use your 67 lenses on your Pentax 645 or even Pentax K mount camera with adapters made by Pentax. And for those who gripe about the Pentax 67's laughably slow flash X-sync of 1/30 sec, there are even leaf-shutter lenses below that will allow you to do daylight flash-sync of up to 1/500 sec.
Pentax 67 Lens Chronology | |
---|---|
Super Takumar | Earliest lens. Single-coated*. *Some rare transitional lenses were multi-coated. |
Super-Multi-Coated Takumar | Middle-generation lens. Multi-coated |
smc Takumar smc Pentax | Latest generation lens (often optically recomputed). Multi-coated. |
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*At 55mm x 70mm, the 6x7 film frame is double the dimensions of 35mm film (24mmx36mm) in both width and height, making for a whopping 400% more film area. A rough guide to recalculating focal length to a 35mm equivalent is to divide by 2: so the 45mm super-wide is a 22mm in the 35mm world; and the 1000mm super-tele is a 500mm. More info on film format equivalents is here.
Interesting quirks
This camera belongs in the irritating class of cameras that won't work if you don't have film in it, or a battery. Here's the checklist for checking one out to make sure the shutter fires:
- Push the battery check button and make sure the LED lights (it's partially hidden by the 6x7 metering prism, so you have to peek to see if anything lights up)
- If the camera appears to fire once, but won't cock again -- you might have no batteries installed. Make sure the battery check button lights the LED (it will light regardless of the shutter cocking position). If it doesn't, you've dry fired the camera with a dead battery and the mirror is hung up halfway (you can take off the lens to verify that the mirror is hung up halfway).
- You can clear the mirror half-up position by clicking on the small black 'mirror reset' button that's on the front right hand side of the body (underneath the 6x7 or 67 mark). Then put in new batteries and you should be able to cock and fire the shutter.
- Are you sure you don't have film in it?
- Cock the camera. If there is no resistance, there is no film in it. There should be moderate resistance as the camera cocks and winds all in one single stroke. If there is very hard resistance, then the camera is already cocked, don't force it!
- Try the shutter button.
- If it doesn't cock and doesn't fire, then you most likely have no film in it and the safety interlock is preventing a dry fire. To override this:
- Check the mirror-hang-up position if dead batteries were installed (see above). If that was the case, put new batteries in, check the battery condition, then clear the mirror hang-up.
- Open the camera back (you did remember to make sure there was no film in it, right?!) by hooking your thumb in the back latch catch on the left side.
- While the back door is open, turn the film dial indicator past '1' with your thumb and then close the door without letting go of the dial indicator. This will then set it to so that camera thinks it has film and you can fire the rest of the 'roll' as test fires.
- As the shutter is electronically timed, without a battery you won't have shutter speeds except X.
- You can't handhold it: FALSE. Yes, it's a behemoth and will tire your arms, but many people use it as a handheld field camera. There's an auxiliary wooden grip that makes it much easier to handhold. As an added bonus, the grip also provides a flash shoe bracket. There's a lot of vibration from the mirror flipping up and the huge shutter opening and closing. But with fast film (ISO800 is very usable for prints since the film negative is so huge) and shutter speeds greater than 1/250, it's a nice medium-format shooter. Just be sure to pump weights at the 'Y' before buying one.
- You need mirror-lock-up (MU): 50% TRUE/FALSE. MU is most probably one of the most important features to look for, but it's not a deal-killer. If you can get a good user 6x7 without MU for a song, then buy it. You can always upgrade later. And with a hefty tripod or with fast film, you may never know the difference.
- You need a good tripod: TRUE: Again many sins are forgiven with fast film, but if you're shooting with Provia 100 (or goddess forgive, Velvia 50), then you need a very solid tripod. The rule of thumb is that your tripod+head must be twice the weight of the camera. Carbon-fiber is lighter to carry and deadens the vibrations weight somewhat but sheer mass is what's crucial. Many high-end tripods have hooks on the end of the center column, this is to hook your camera bag to give the system more mass. You can also buy 'tripod stone bags' to weigh down the legs.
- Film loading is a pain: TRUE. There are some good sites with tips on how to load film quickly. You can download the manual from the Pentax corporate website (below). The key appears to be loading the empty spool in the camera first, then the film spool, and then finally threading the film into the empty spool.
- Daylight sync flash is impossible: TRUE. With a top X-sync speed of 1/30th of a second, it's sadly true. This is not a good camera for use with a flash unit. You can buy leaf shutter lenses for the Pentax which increase the sync speed to 1/500 sec. but they are expensive and not that practical in use. If you're doing flash work, get a Hasselblad 500 series instead.
- A Pentax 67 is sharper than a Hasselblad: Truish. The Hasselblad lenses are actually slightly sharper, but the Hasselblad film size is 55mm x 55mm square. When you actually crop to print, a Hasselblad is more like a 6x4.5 camera. With the much larger 6x7 frame (55mm x 70mm) which requires no cropping on standard printing paper, the Pentax has more film surface area and requires less print magnification, which more than makes up for the slightly lower lens resolution.
- I need the meter-prism: FALSE. You don't need it, you want it. The 6x7 and 67 came standard with an unmetered pentaprism. You could buy a meter prism as an additional option. The meter prism was coupled to the film speed dial. You would meter the scene, the prism would tell you the aperture you needed to be at. If you're poor, get a handheld lightmeter for between $30-100. It does the same job as the meter prism with better accuracy.
With the Pentax 67ii, the new AE Pentaprism has the ability to set the shutter speed automatically given the aperture you are at (aperture priority auto-exposure). This is quite handy, but hardly essential.
There are a variety of interchangeable waist-level finders for the Pentax 67. These are great for macro work, ground-level work, or for pretending your Pentax is a Hasselblad. The Pentax 67 is a system camera, you can also change out the focusing screen. - This is a great wedding camera: FALSE. The combination of horrible X-sync flash speed with slow film loading makes this unsuitable for wedding photography (unless you have a very patient bride) or on-the-fly photojournalism. Get a Hasselblad 500 with interchangeable backs instead. Or go digital like every other wedding photographer out there...
- This is a terrible street photography camera: False. The 67 is a great street photography camera -- as long as you don't need to change film that often. People think it's just a regular SLR -- a bit big perhaps, but an SLR. So you look like just another tourist.
- Only real men shoot Pentax 67s: FALSE. Actually, one of my friends, New York photographer Eun Suk Joo, shoots with a Pentax 67. She's maybe 5' tall and weighs less than a hundred pounds. It's funny to see her carry it since it's totally out of proportion to her body, but she shoots a mean slide with it and regularly prints giantic 40'x60' posters. If she's ever mugged, she could whack the assailant with her Pentax 67. He'll go down cold and she'll be lucky if she isn't charged with assault with a deadly weapon.
- History of the Asahi Optical Corporation (digilander.libero.it)
- A tribute to the original Asahi Pentax
- Paul Provencher's excellent Asahi Pentax Camera and Lens page
- Pentax Discuss Mailing List (PDML.net) - mail list for Pentax enthusiasts
- Pentax Users Gallery - photos by Pentax users
- Photo.net: Pentax 67 Review
- Robert Monaghan: Pentax 67 information (extensive)
- Danny Gonzalez: 6x7 camera overview
- Shutterbug: Bob Mayer reviews the Pentax 67ii
- Pentax 6x7 modified for astrophotography by Company7
- Fixing a broken aperture linkage chain on the Pentax 6x7
- Japanese:
- Online manuals:
- Pentax.com (manufacturer site; PDFs including the Pentax 67 manual and accessory manuals)
- direct link to Pentax 67ii manual (PDF)
- WhiteMetal.com has older Pentax manuals (pay site)
- Pentax-Manuals.com - free manuals, etc.
- Pentax.com (manufacturer site; PDFs including the Pentax 67 manual and accessory manuals)
Executive Summary
Danny Gonzalez has perhaps the best summation of the Pentax 67 that I've seen:
This camera is designed as a field camera, for handheld SLR convenience (convenience is only relative with this camera). The camera remains basically unchanged from its original form and, having been introduced about thirty years ago (and based on the design of the Pentax Spotmatic 35mm camera), almost every feature is archaic by modern standards. It's very large and heavy (by 35mm standards; small and light by 67 standards), fires off like a canon (Mucho vibration and noise) and is quirky like the Pentax 645 (If you take off the TTL prism, then replace it, you've got to remove and replace the lens before you get a reading back. The meter just goes dead). Some lenses focus very closely (55, 90, 135 and new 200), others don't focus closely at all (300/4 and the old 200).
Working with the camera is an exercise in indecisive relativity; it charms you with its fast lenses, its tanklike craftsmanship and its versatility, but bothers you with its noisy, vibratory release and its 'retro' feature set.
Danny Gonzalez
Myths and Truths
The Pentax 6x7 most probably has more myths around it than any other medium format camera. Here are some common ones:
Technical Details
6x7 | 67 | 67 II | |
Manufacturer | |||
---|---|---|---|
Place of Manufacture | Japan | ||
1969.7 | 1989 | 1998 | |
Focusing System | Single-lens reflex with interchangeable pentaprism eye-level viewfinder 100% coverage Lens use helicoid focusing | ||
Pentax smc67 Bayonet Mount (internal and external bayonets) | |||
Shutter | Mechanical focal plane shutter 1 sec ~ 1/1000 X-sync = 1/30 | Electronically controlled focal plane shutter 1 sec ~ 1/1000 + X + B X-sync = 1/30 | Electronically controlled focal plane shutter Manual: 4 sec ~ 1/1000 + X + B AE: 30sec~1/1000 X-sync = 1/30 |
None built-in Optional TTL metering finder Full-frame metering Early models CdS metering Late models SpD metering Ev 2.5~19 ASA 12-3200 | None built-in Optional AE Pentaprism finder Matrix, center-weighted, and spot metering Ev 2~21 ISO 6-6400 | ||
Flash | X Sync PC and TTL Proprietary connector | ||
Film type / speeds | Medium format 120/220 type 10 frames on 120 film 20 frames on 220 film (Pentax 6x7 and 67) 21 frames on 220 film (Pentax 67 II) Frame size 55mm x 70mm (6x7) | ||
4 x LR44/SR44 1.5v or 1 x 4SR44 6.0v | 2 x CR123A lithium 3v cells | ||
Dimensions and weight | 177x101x91mm 1.29kg w/o finder 177x152x91mm 1.76kg w/ TTL finder | 185.5x108.5x92mm 1.21kg w/o finder 185.5x151x106mm 1.66kg w/ AE Pentraprism finder | |
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Normal Lenses
Lens | SMC Pentax 67 55mm f/4 | S-M-C Macro Takumar 135mm f/4 | SMC Pentax Takumar 200mm f/4 |
---|---|---|---|
Asahi Optical Co. | |||
Japan | |||
???? | ???? | ||
Lens Construction | 8 elements in 7 groups 78° AoV | 5 elements in 3 groups 36.5° AoV | 5 elements in 4 groups 25° AoV |
Pentax smc67 Bayonet Mount (internal) auto-diaphragm | |||
Focusing range | 0.35 meter (1.1') - infinity Left focusing (infinity at left) | 0.75 meter (2.5 feet) - infinity Left focusing (infinity at left) | 1.5 meter (4.9 feet) - infinity Left focusing (infinity at left) |
f/4 ~ f/22 (1 stop steps) | f/4 ~ f/32 (1 stop steps) 8 aperture blades | f/4 ~ f/32 (1 stop steps) x aperture blades | |
Filter Mount | 77mm threaded | Filter: 67mm threaded | 77mm threaded |
78.5mmx92.5mm 725g | 95mmx91.5mm 645g | 135mmx92mm 795g | |
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Leaf Shutter Lenses
SMC Pentax 67 55mm f/4 | S-M-C Macro Takumar 90mm f/2.8 LS | SMC Pentax Takumar 165 f/4 LS | |
Manufacturer | |||
---|---|---|---|
Place of Manufacture | |||
Date of Manufacture | ???? | ???? | |
8 elements in 7 groups 78° AoV | 6 elements in 5 groups 52.5° AoV | 5 elements in 4 groups 30° AoV | |
Lens Mount | Pentax smc67 Bayonet Mount (internal) auto-diaphragm | ||
0.35 meter (1.1') - infinity Left focusing (infinity at left) | 0.85 meter (2.75 feet) - infinity Left focusing (infinity at left) | 1.6 meter (5 feet) - infinity Left focusing (infinity at left) | |
Apertures | f/4 ~ f/22 (1 stop steps) | f/2.8 ~ f/22 (1 stop steps) x aperture blades | f/4 ~ f/32 (1 stop steps) x aperture blades |
f/4 ~ f/22 (1 stop steps) | Copal 'C' Shutter 1/500, 250, 125, 60, 30 | ||
Filter Mount | 77mm threaded | Filter: 67mm threaded | 77mm threaded |
78.5mmx92.5mm 725g | 91.5mmx62mm 610g | 92.5mmx77mm 780g | |
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About Asahi Optical Co.
You see both Asahi Pentax and Honeywell Pentax cameras on the market, what's the difference? Asahi Optical Company is the manufacturer of the cameras and has a very hallowed history. It was founded in 1919 to make optical lenses. It came out with its first SLR, the Asahiflex I in 1951. Pentax is the name of their first SLR with a pentaprism (penta-prism = pentax) which came out in 1957. Since then, it's been their tradename for their series of SLRs, just as EOS is the trade name for Canon's electronic SLRs.
Honeywell was the U.S. importer for Asahi cameras until the mid-1970s. Cameras that they imported are stamped 'Honeywell Pentax' on the nameplate, not Asahi Pentax. With the minor except of one camera that was designed to accomodate a Honeywell flash unit, Honeywell Pentaxes are identical to Asahi Pentaxes.
About the only things with a stronger cult following than the Pentax screw mount cameras (Spotmatics) are their K-mount cameras, including the K1000. The K1000 which is now being made by Chinese companies and branded under Chinon and other labels, is often recommended by photography instructors. This has caused the price to stay about $200 for a new set. My own recommendation is to stay with the screw mounts. There is a wider variety of lenses and prices are relatively good. There's also a very strong cult following around their gargantuan Pentax 67 medium format SLRs.
Trivia: 'Pentax' was one of the names the Nippon Optical Corporation cycled through when coming up with the name of their new camera in 1948. They ended up calling it the 'Nikon' instead.
On the Net
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Written by Peter Stout
Let’s face it – this is a serious camera.
And around the beginning of 2017, I was in the market for a more serious medium format camera. Since then, I’ve put 200+ rolls through the Pentax 6×7 while canvasing the United States and even down to Costa Rica.
It was in the delivery room for my daughter’s birth, it waited in the rain with me as my son got off the bus on his first day of school, and it’s shot first kisses of newlyweds on gorgeous September days. It is serious.
Find the Pentax 67 at KEH Camera or on eBay.
The Pentax 67 System
As it says in its name, the Pentax 6×7 creates a massive 6×7 negative. That equates to a mere 10 shots per roll of 120, and 21 on a roll of 220. In total, there are 4 iterations of this camera:
- Pentax 6×7 (released in 1969)
- Pentax 6×7 w/ mirror lock-up (MLU) – pictured above (released 1976)
- Pentax 67 (released 1990)
- Pentax 67ii (released 1999)
When it comes to price and function, the best value is found with the Pentax 6×7 MLU and the Pentax 67. Functionally, they are identical, but the Pentax 67 will be much newer.
As of this writing, these models will go for $300-500 for the body only, depending on condition and prism (metered vs. non-metered).
The Pentax 67ii featured many upgrades in functionality, ergonomics, and focus screens that it costs significantly more ($1500-2000) for just the body.
In this camera review, I’m here to focus on the best bang-for-your-buck model: The Pentax 6×7 w/ MLU.
Related: 5 Awesome Medium Format Film Cameras for Beginners!
The Elephant in the Room – The Size of the Pentax 67
This camera is huge. HUGE. Yuuuuuuuuge.
It is a solid hunk of metal, glass, and optional wood accessories that’ll push up to 8(!) pounds depending on how you dress it. Unless you’re rocking some Jnco jeans from 1996, this thing isn’t fitting in your pocket.
This is why I find the left-hand grip essential as it gives you a perfect carrying handle. While the grip is useful to hold your flash trigger, it really provides no other useful purpose.
Functions
With the Pentax 6×7 MLU or Pentax 67, your extremely limited when it comes to functions.
There are no auto-exposure options with these models. No A for Awesome, no P for Professional. This camera is fully manual 100% of the time. Grab that light meter, set that aperture and shutter speed.
Another creativity-limiting deficiency is the lacking ability to perform double exposures. There’s no option, nor is there a trick.
You can scour the world for the rare-as-hens-teeth models that were modified by Pentax with a double exposure button, or spend the big bucks on the Pentax 67ii.
If there is a “feature” it is the benefit of a 1/1000 shutter speed. With some fast, amazing portrait lenses in its line-up, that extra stop in shutter speed can really be beneficial to take advantage of the multiple f/2.8 or greater lenses.
Lenses for the Pentax 67
Pentax 6×7 lenses are impressively sharp, fast, well-designed pieces of glass. It has an extensive selection, and for anyone looking for specifics on the entire line up, there is no better source than the Antique & Classic Cameras List.
But, there are must-haves. And, in my opinion, that list starts and ends with a single lens: The SMC Pentax 67 105mm SMC f/2.4 (find at KEH Camera or on eBay).
This is the normal lens for this system, giving you about a 55mm field-of-view for a 35mm system.
There are three versions of this lens, with the newest being the latest and greatest (and most expensive – it’ll cost you $500-700). For further info on how to distinguish between the different models, check out my friend Jeffrey Armstrong’s review of this lens.
The 105mm is amazingly sharp, even shot wide-open, and at f/2.4 really gives that medium format look that people enjoy.
On top of it, this lens has a very unique flare, as it produces a red orb that can be a lot of fun to use as a compositional tool.
Related: Pentax 67 Lens Flare: How to Master the In-Camera Lens Flare on the Pentax 67
Now, for every Batman there has got to be a Robin. Two excellent wide-angle lenses are the 45mm f/4 (find at KEH Camera or on eBay) and 55mm f/4 (find at KEH Camera or on eBay) (24mm and 28mm field-of-view, respectively, on a 35mm system).
And for portraits, the 165mm f/2.8 (find at KEH Camera or on eBay) is fantastic. More so, these lenses are all extremely affordable (approximately $300), especially considering their excellent quality.
If a standard 35mm field-of-view suits your style, there are a few options for the 75mm focal length (find at KEH Camera or on eBay).
The affordable option ($100) is the 75mm f/4.5. Many iterations of this guy, but all known for being extremely sharp.
If you seem to have an extra $1500 lying around that could use a new home, the 75mm AL will clean that out without a penny to spare. An f/2.8 lens, this little guy has skyrocketed in price in recent years.
Downsides to the Pentax 67
Do I have complaints? Of course I do! Double exposures – can’t do it.
The stock screen is not bright. In fact, shooting with the 105 or longer lens wide open is more of a game of Russian Roulette to hit focus.
I highly recommend an upgraded screen, specifically a Bill Maxwell Hi-Lux. It’ll cost you ($300 + $200 for professional installation), but you’ll never miss again.
This thing needs a battery. Which means you need to be carrying another spare battery at all times.
Loading – getting that fresh roll in can be maddening. A single tip to ease in loading is to not remove the paper strip holding it together until after you have it locked in place.
No backs on this guy, so no easy switching of pre-loaded backs.
The flash sync speed is only 1/30 of a second. This can make ambient-balanced portraits a bit tricky, though still very functional.
Pentax 67 Manual Download
Pentax 67 Manual
Two prisms can be had – metered or non-metered. Personally, I use an external meter for every shot, as even after calibration I have found the metered prism to not be very accurate.
Pentax 67 Owners Manual
Mirror Lock-up is a must for anyone considering this for landscape photography.
Final Thoughts and Why I Love the Pentax 67
As an SLR on steroids, this camera is easy to compose and quick to focus.
When it comes to the 6×7 systems available, the Pentax 6×7 is about as portable as they come with the versatility of an SLR.
From landscape to portrait photographers, If you’re in the market for a serious medium format camera that is portable, the Pentax 6×7 begs for your consideration.
Thank you so much, Peter! You can also check out more of Peter’s work on his website and Instagram.
Pentax 6x7 User Manual Pdf
Leave your questions about the Pentax 67 below in the comments, and you can pick one up for yourself at KEH Camera or eBay.